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Basic Concept: Primitivism and the Noble Savage 
"Primitivism" is a belief that arose during the European Romantic Movement that held that, because God is revealed in nature, people who live in the wilderness are closer to God; that they live purer lives. 
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The "Noble Savage" is an idealized stereotype of indigenous people as found throughout the world.  Its features include the exaltation of the character in wilderness settings, an exaggeration of physical prowess, a simplistic interpretation of the indigenous world view, and an assignment of lofty virtues and innocence to the common  man. 
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The roots of the concept of the Noble Savage are to be found, according to Hoxie Neale Fairchild (The Noble Savage), in 1) the histories and chronicles of the European explorers and 2) Romantic philosophies.  The term "Noble Savage," itself, was coined in the 18th century by Jean Jacques Rouseau in his famous essay, "Social Contract."  To Rousseau, the Noble Savage represented the "natural man," that individual in an initial purer state, uncorrupted by contact with the complexities and compromises of society, living in nature according to nature's own rhythms and patterns (according to "natural law"). 
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In America, the concept of the Noble Savage complements the early nineteenth-century fascination with the American frontier.  The idealized aborigine personified the mystery, the primitive power, and the spirituality assigned to the pristine forests. 

In his text, The Great Frontier, Walter Prescott Webb notes the four options European colonists faced in dealing with the "Indian problem": 1) inter-marriage, 2) social integration, 3) segregation, or 4) genocide.  With few exceptions, United States government policy and practice adopted the latter two options.  The Anglo population, however, registered a nervous ambivalence on the subject of the indigenous populations.  In a disdain stemming from his early encounters in the American West, Mark Twain once noted, "Take the beggar instinct out of the Goshoot Indian, and he wouldn't 'go' anymore than a clock without a pendulum.  The Goshoot Indian hoards dirt--for days, weeks, generations."  While Mark Twain came to change his attitudes about indigenous people, in doing so, his vacillation reflects the same anxiety.  Ironically, while some Anglo-Americans supported the removal of indigenous people for the American frontier, others, through the arts, came to idealize them in painting and literature. The fullest exploration of the Noble Savage appears in the Leatherstocking Tales of James Fenimore Cooper. 
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The celebration of the Noble Savage stopped short of cultism, but Cooper's five volumes came as close as any other artistic treatment to the canonization of the image.  Cooper creates the frontiersman Natty Bumpo, pairs him with a faithful Indian companion, Chingachgook, and sets them together in the American forest where they champion natural goodness set apart from innate evil, more specifically registered in incessant conflict between the Delaware Indians (the good guys all but extinct) and the Huron (a tribe of the detestable Iroquois). 
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The Leatherstocking Tales (The Deerslayer (1841), The Last of the Mohicans (1826), The Pathfinder (1840), The Pioneers (1823), The Prairies (1827)) chronicle the exploits of Cooper's hero, variously known as "Pathfinder," "Hawkeye," and "Natty Bumpo."  In each work, Cooper paints with broad strokes the natural "propensities" of his two heroes, so broad, in fact, as to attract a maelstrom of protests, led most hilariously by Mark Twain's "Fenimore Cooper's Literary Offenses."  In his 1852 edition of the series, Cooper lashed out at his critics, defending his "poetical view" of his subjects.  
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Online Connections 
For a discussion of romantic primitivism, see "Primitivism."  To read an introduction to European Romantic influences on the literature of James Fenimore Cooper, see "Epiphany at Ischia: The Effect of Italy on James Fenimore Cooper's Literary Landscape Painting."  For an extensive review of Cooper's literature, see "Fenimore Cooper's Literary Defenses: The Achievement."  To read an introduction to the Leatherstocking Tales, see "The Leatherstocking Tales by James Fenimore Cooper."  For an overview of the French philosopher who helped define the concept of the Noble Savage, see "Jean-Jacques Rousseau: Swiss/French Philosopher."  For key concepts from Rousseau's "Social Contract" and its definition of the Noble Savage, see "Rousseau and the Noble Savage Myth."  
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Our Course Connection 
The "Preface to the Leatherstocking Tales" includes James Fenimore Cooper's lashing response to critics who questioned the authority of his images of American Indians. 
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This page was last modified on August 27, 2004,
and is maintained by Dr. Geoffrey A. Grimes.
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