Unit 2: Descriptive and
Persuasive Writing
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Table of Contents
About Unit 2
Unit 2 Learning Outcomes
Concepts
and Terminology
Assignments
for Unit 2
Steps
in the Assignments for Unit 2
Notes on Descriptive Writing
Two Categories of Description
Types of Descriptive
Words
Using Figures of Speech
in Descriptive Paragraphs
Writing a Descriptive
Sentence
Basic Patterns for
Organizing Descriptive Sentences in Paragraphs
An Example of a Linear
Description
An Example of an Alternative
Descriptive Pattern
The Wordiness Exercise
The Emotional (Subjective)
Descriptive Paragraph
The Coherent Paragraph
Some Examples of
Description by American Writers
Persuasive Writing
A
List of Persuasive Techniques
The Writer's Voice
The Reading: "A
Shocking Start for a Freshman"
Evaluation of Unit 2
Instruction
About
Unit 2
Effective writing depends upon many factors, including
the precise use of language. Diction--word choice--is absolutely
essential for successful communication. This unit introduces you to the
power of words through attention to patterns and techniques of both descriptive
and persuasive writing.
Writing exercises in Unit 2 are designed to help
you learn to discriminate between general information and specific, supporting
details. The reading exercise will introduce techniques of persuasion found
in many types of public writing and will challenge your sense of value
and authority in both your personal and public writing.
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Concepts
and Terminology discussed and used in this unit include:
(1) selecting a subject
(2) identifying parts of a subject
(3) using descriptive words
(4) using emotional words
(5) selecting appropriate organizational patterns
for descriptive paragraphs
(6) maintaining coherency in descriptive paragraphs
(7) using description for a variety of purposes
(8) using special sentence patterns
Terminology used in the descriptive section includes
"subjective description," "objective description," "concrete words," "polysymbolic
words," "emotionally impacted words," "figures of speech," "simile," "metaphor,"
"personification," "anthropomorphism," "directional ordering," "spatial
ordering," "psychological ordering."
Terminology used in the persuasive section includes
"abstraction," "idealization," "burlesque," "polarization," "innuendo,"
"guilt by association," "affirmation by association," "periodic development,"
"the catalog," "sarcasm," "vituperation," "description," "the rhetorical
question," "definition," "dialect," "emotional words," "begging sympathy,"
"cultural stereotyping," and "voice."
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Assignments
for Unit 2
Following is a list of assignments for the descriptive
exercises. Specific instructions for each assignment will be made during
the class discussions periodically during the first few weeks of the semester.
(1) a 100-item catalog
(2) a linear description
(3) a revision of the linear description
(4) the wordiness exercise
(5) an emotional paragraph
(6) the coherent paragraph
(7) analysis of "A Shocking Start for a Freshman"
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Steps
in the Assignments for Unit 2: Descriptive and Persuasive Writing
Assignment 1: 100-Item Catalog
1. Report to an outdoor location. Isolate a small
viewing space that includes within it at least five major objects (tree,
building, garden, etc.).
2. On a sheet of paper or two, write the name
of each object across the top. Under each name of an object, make a list
of distinctive, specific features (a minimum of twenty features for each
object).
3. FAX or e-mail it to your instructor.
Assignment 2: A Linear Description
1. Select one object among the five in your catalog
above that best lends itself to a linear description. Pick out five distinctive
features of the object that fall along the imaginary line associated with
that object (top-to-bottom, right-to-left, etc.).
2. Begin the paragraph with a general statement
that identifies the object and states where it is.
3. Write a descriptive sentence for each of the
distinctive features you have selected for your object. Arrange them according
to the linear alignment you have selected for organizing your paragraph.
4. Write the paragraph (which includes no fewer
but no more than six sentences).
5. FAX or e-mail it to your instructor.
Assignment 3: A Revision of the Linear Descriptive
Paragraph
1. Rewrite the linear paragraph using the same
object, but this time, select a different pattern of organization (psychological
order, spatial order, etc.).
2. You may wish to add or delete features that
better serve the new order of development that you have selected for reorganizing
the description of the object.
3. The paragraph should be no fewer than five
sentences.
4. FAX or e-mail it to your instructor.
Assignment 4: The Wordiness Exercise
1. Complete the "wordiness exercise" included
in this unit, following the instructions as given.
2. FAX or e-mail it to your instructor.
Assignment 5: The Emotional Paragraph
1. Return to your viewing area selected for assignment
1; ask yourself how, as a single unit, all the objects assist in creating
a specific mood (peacefulness, pleasant, etc.). Identify both the mood
and ONLY those details or features that contribute to that mood.
2. Write a brief paragraph describing the physical
details of the viewing space, but make mention only of those that help
contribute to the mood of the paragraph.
3. Make no mention of any person (directly or
indirectly); make no mention of any emotion; do not refer to yourself.
Examples: A direct reference to a person
might read like this: "The student walking along the trail could see the
fish swimming in the shallow pond." Another inappropriate pattern making
a direct reference to the reader might say something like: "You can feel
the breeze wiping your cheek."
An indirect reference to a person might
read like this, using passive voice: "The rippling water can be heard trickling
down the wall."
Instead of saying "the tranquil, flowing stream,"
say only, "the flowing stream." ("Tranquil" is the name of an emotion.)
4. On the back side of your paper, write the
name of the emotion that you wish to convey to a reader.
5. FAX or e-mail it to your instructor.
Assignment 6: The Coherent Paragraph
1. Select one of the paragraphs you have already
composed.
2. Print out two copies of the paragraph.
3. Analyze one copy for repetition of key concepts
between the sentences.
4. Analyze the second copy for at least two examples
of grammatical parallel construction.
5. FAX or e-mail it to your instructor.
Assignment 7: Analysis of "A Shocking Start
for a Freshman"
1. Print out one copy of the editorial and read
it.
2. Identify the various emotions that you felt
during the initial reading.
3. Analyze the editorial for those words you
believe the author intended to create within you a strong negative reaction
and identify the words that you believe he used to evoke a strong positive
emotional reaction. (Don't confuse emotions "fearful" and "elated" with
physical feelings like "hunger" and "thirst.")
4. Identify the audience and its distinctive
characteristics. For example, would you characterize the intended audience
as "male or female," "educated or uneducated," "white or black," "upper
class, middle class, or lower class," "conservative or liberal," etc. Why?
Be able to justify your analysis on the basis of both stated and implied
meanings in the text of the editorial.
5. Identify one sentence that seems to be the
author's basic purpose in writing the editorial.
6. Following the "Types of Persuasive Techniques,"
identify at least one example of each type.
7. Reassess your emotional reaction to the editorial.
Define an ethical code for governing your writing in the future.
NOTE: For each assignment, consult with your instructor
for clarification of any detail of the requirements or examples for each
exercise.
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