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The Writer's Voice (Return to the Unit 2 Table of Contents) Voice as "Mask" The writer's "voice" is the writer's mask that he projects to his reader(s). It is the "personality" or character of the writer that readers perceive in a written work. Another way of defining the writer's voice is to identify the role the writer seems to be serving through his creation. An examination of our masks might better help explain the function and character of voice in written work. Each of us projects various masks. We don't act the same way in one group of friends in the same way we act or present ourselves on the job or in a group of strangers. We are well-practiced in projecting many masks to suit what we perceive are the demands of the occasion. Just as we project various masks, we orchestrate them in many different ways. The clothes we wear, our tone of voice, body language that reflects our attitudes and moods--these are just some of the means by which we construct our many masks. Style: The Key to a Writer's Voice But a writer is highly limited in the techniques that are open to him in establishing a voice. In fact, the only element open to a writer in developing his or her mask or "voice" is style. Basically, style refers to two elements: choice of words (diction) and choice of sentence patterns (syntax). Through diction and syntax a writer develops a voice through which he or she conveys the message of the text. Just how well the reading audience understands and accepts that message is due solely to the voice through which that message is delivered. Personal Voice "Personal voice" refers to that "image" of yourself you pro-ject when trying to communicate openly and honestly with someone. Its style is natural and perhaps a little conversational (colloquial). While it is confidently persuasive, it is void of overbearing authority and pretentiousness. That is, it doesn't call excessive attention to itself through overuse of first person or patronize its audience by making demands through inappropriate use of imperative mood. It escapes pretentiousness by avoiding stilted, erudite terms, foreign verbal droppings, and highly specialized jargon. This is to say that "personal voice" isn't overdrawn, affected, or "pretty." Rather, it communicates clearly and directly, is coherent in its purpose and always respectful of its audience. Some Elements of Voice Following is a list of factors that help influence
or deter-mine the character of a writer's voice: And there are others. Together, these factors are reflected in the writer's style: his diction and syntax. Through the careful use of these elements, a writer establishes the credibility of his product--the essay, the letter, the drama, the editorial, the sermon, the familiar speech, or whatever. Through these elements an effective, practiced writer "sells his product," persuades his audience to accept his message as reliable, authentic, and sufficient. Your ability to analyze the features of a writer's voice determines the degree to which you will understand and incorporate anything that you read. To the extent that you become increasingly aware of each of these elements as you write for a specific audience is the extent to which you will continue to grow as an effective communicator. The Progressive Roles of Voice
Reporter: presents the facts (example: "The President was frowning when he walked back to his limosine.") Interpreter: interprets the facts (example: "The President's frown suggests that no agreement was reached.") Critic: makes a value judgment (positive or negative) negative example: "If the President can't come to an agreement with our adversaries, we need a new President." positive example: "The President has demonstrated again that he will not be bullied. We should re-elect him to a second term."
An Analysis of Voice in Expository Writing For an interesting exercise in analyzing voice, read the five office memoranda below, each addressing the need to replace several computer systems. Put yourself in the position of the recipient of these "requests." How would you react? What attributes are projected in each? To which memoranda would you respond favorably? disfavorably and why? Example 1
Example 2
Example 3
Example 4
Example 5
This page was last modified on September 13, 2011,
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